Showing posts with label perfection. Show all posts
Showing posts with label perfection. Show all posts

Sunday, August 31, 2014

Book Review: Getting Schooled by Garret Keizer

I never could bring myself to read all the way through books by alleged super teachers like Ron Clark and Rafe Esquith.  While they offer some sound advice (and their tomes are nothing but a patchwork quilt of pithy recommendations, often enumerated and always emphatic), their primary example of how a classroom should look and operate was their own, and at times the pointless bragging about going to the White House or having the president namedrop them in a State of the Union speech grew tiresome.  To be honest, it wasn't "at times" or "grew tiresome."  It was as consistently annoying as trying to lie out in the hammock on a pleasant day only to be pestered by mosquitos (a common occurrence here in Savannah).

Imagine, then, my relief at Garret Keizer's testimony to the triumphs and trials of teaching, where right on the first page he lays naked his shortcomings and aspirations:
It's fair to say that I have never gone to work in a school with what might be called purity of heart, though much of what I know about purity of heart I learned there.
Keizer second guesses not only local and federal policies and procedures, but turns his bitter, geezerly, cynical eye mainly on his own soul.  When he does stab at policy, however, it is delightfully mordant:
... throughout the school year, I will repeatedly be struck by the sense that the professed goal of creating 'a level playing field' through education is little more than the goal of sorting winners from losers with a steady hand and a clear conscience.  The single greatest expression of the American project, American public education is also its most cynical lie. ... I'm still straining to keep my mouth shut ... 
He also does not spare his students this raking analysis and dry commentary:
I have a small, highly cooperative lunch-period study hall, and a most delightful girl on the list, someone whose studiousness and affability seem to rub off on her neighbors.  One day she has nothing to do ... I ask her if she likes art.  Yes, she likes art very much.  Music to my ears - among several of the books I've brought to school for browsing is an expensive coffee table compendium of painting and sculpture by three Italian masters ....  The girl glances at the book without opening it.  'Thanks,' she says, 'but I guess I'll just draw,' by which she means penciling in the scribbled loops on a torn-out page of lined notebook paper.  So much for the Renaissance.
The running theme, then, is hypocrisy and the disappointment it engenders.  But, again, Keizer rifles through no one's corrupt morality more than his own.  When he mentally criticizes a troubled student for her sloppy work ethic, he immediately pulls out the whip for a round of self-flagellation:
     Not that I would say such a thing, and I'm not exactly pleased with myself for thinking it.  Even in this funky little tutorial I am reminded of how hard it it to predict when and how a girl or boy is going to catch fire. ... I'm reminded as well of how hard-won an achievement a kid's mere attendance can be relative to the forces keeping her down. ... And, perhaps, who knows, my greatest contribution to her life may be the remembrance of a single late afternoon when she glimpsed what it means to be part of a community of scholars.  It will be my fondest remembrance too: I know even as I'm sitting here that the year will hold nothing better than this.

So the drive to change lives and teach, to be a teacher, to teach students, lets go the accelerator and drifts off to settling for a single moment of semi-successful after school tutoring.  Keizer's honesty allows his greatest insight, that we cannot really be those plastic Ken doll National Teachers of the Year, hailed by presidents, book publishers, and motivational speaker bureaus alike.  We try, and we fail.  We cannot change every life with which we intersect, after all, but we do well enough to try, and to have those occasional moments of epiphany when we realize that Bob Marley was right, that we don't have to worry about a thing, because every little thing is gonna be alright.  Even if it really won't.




Thursday, July 4, 2013

Book Review: WARP - The Reluctant Assassin by Eoin Colfer

Full disclosure: I am an Eoin (pronounced "Owen") Colfer (pronounced "Colfer") fan.

I have read everything he's written, all fifteen or so young adult works, his handful of young readers, and his two novels for adults (well, three, really, counting his Part Six of Three continuation of Douglas Adams's Hitchhiker series).  I got 30 copies of Artemis Fowl and made 35 of my students read it.  I "liked" him on Facebook.  We named our dog after him (though we spell it "Owen").

Moreover, I consider him a modern master; he can balance a swiftly developing, viscously convoluted plotline while drawing in precise detail fascinating and wildly different characters.  His scenes remain embedded in your memory as if they had happened to you; you will see people in the park or grocery store and mistake them for his characters.  Pardon me a second while I wipe the foam from the corners of my mouth.

Colfer is best known for his nine-book Artemis Fowl series, and this title marks the first in a new, open-ended series involving time travel between Victorian London (think Jack the Ripper) and the modern day.  And my mentioning of Jack the Ripper is not accidental: the villain in this novel is the man who is such a murderous devil - Garrick - that he himself knifed Jack the Ripper just to show him up.  Now that's a bad dude.

Witness how Colfer controls the tension in a particularly bloody scene:

     Percival whistled two notes, high and low.  The signal for Turk to advance from the folds of velvet curtain that concealed him.
     Turk made even less noise than Percival, as he wore silken slippers, which he called his murder shoes.  He came up on Garrick from the rear and reached out for a shoulder, to steady the magician for the scimitar's blade, but his questing fingers skinned themselves on glass instead of flesh and bone.
     A mirror, thought Turk.  I have been misled.
     Terror sank into his gut like a lead anchor - he had the wit to know that he was done for.
     The mirror image of Garrick reached out through the mirror and plucked Turk's own sword from his hand.
     "You will not have need of this," said Garrick's image, and he plunged it directly into Turk's heart.
    Turk died believing a phantasm had killed him.

Obviously, if you were expecting something cute and nifty along the lines of Spy Kids, you, too, like Turk, have been misled.  I doubt Disney will be making this one into a movie any time soon - it would be the first NC-17 kids' movie ever.

But you can see, even in such a short passage from the center of the book. how Colfer shapes short-lived characters amidst a tense action scene - Turk's name, his silken slippers, his nickname for them, his scimitar, his darkly comic "I have been misled," his confusion as he dies - all these little touches delineate a character distinctive from the others (he is one of a trio sent to kill Garrick).  Colfer makes this person real and living even as he kills him.

If you cannot bring your big adult self to read young adult fiction, no matter how masterly crafted, then go for Plugged or Screwed, Colfer's works for big people.  However you go about it, step into one of his perfectly formed worlds and you'll find the boundaries of your world blown open.


Sunday, June 17, 2012

Walk It Off, Walk It Off

Classic Dad advice to his injured son (e.g., hit by baseball): "Walk it off, walk it off."

Today my son and I ran 65 minutes - probably about 9 miles, a medium-distance run for us - and my son had complaints about halfway through.  Cramps or something.  Itchy bug bites.

He kept wanting to stop, but I made him run through it.

Does that seem cruel?  Well, he thanked me afterward, and was fine.

I guess the genius of fatherhood is knowing when to say or not say, "Walk it off."

Saturday, June 9, 2012

It Turns Me Upside-Down

Those of a certain vintage will recognize a song lyric in today's title.  Uh-oh, it's magic ...

For teachers, summer means a time to recoup, reflect, and re-organize for next year.  I had my students write letters telling what they liked and did not like from this past year, and set up an online survey for parents.  I did the same after ChessFest (a chess event I organized).

Soliciting feedback results in hurt feelings.  How could someone say that my clubs were a total waste of time?  But, once we get over it, we can improve.

Maybe today, ask somebody how you're doing.  You wife, husband, kids, boss, customers ... How am I doing?  And then fix something.

Wednesday, May 23, 2012

The one time I'm never patient with my students is when we're working on a dramatic production.  This week we've been working on an important acting skill: shutting up and paying attention when you're offstage.

Really, it's not like me.  My classroom is one of the noisiest in the school, though they're always productively noisy.  But when you're rehearsing ... it's different.  I think.

Hey, the play is next week.  And I have a wicked "IT'S GOTTA BE PERFECT" disability syndrome disorder going on (as usual).  But sometimes my behavior approaches that of the evil teacher I portray in the play.

The play's next Thursday, 31 May 2012, if you're in the Savannah area and ... you know.